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Tokyo: The Last Megalopolis : ウィキペディア英語版
Tokyo: The Last Megalopolis

is a tokusatsu historical fantasy/science fiction epic film 〔(Review ) Lee Broughton, DVD Savant, June 30, 2003〕 directed by Akio Jissoji, produced by "Exe" studios and distributed by Toho Studios. It is the first cinematic adaptation of the award winning historical fantasy novel ''Teito Monogatari'' by Hiroshi Aramata. It stars Kyusaku Shimada, Shintaro Katsu, Koji Takahashi, Jo Shishido, Junichi Ishida, Mieko Harada, Ko Nishimura, and Shiro Sano among others. With a budget of around 1 billion yen (roughly $8 million), the movie was one of the most expensive live action Japanese special effects films to have ever been produced during that decade (by contrast, the internationally released 1984 film ''The Return of Godzilla'' was only budgeted at $6.25 million). The movie received a great deal of publicity with the media highlighting the grand recreation of circa 1927 Ginza district being made just for use in the film. The open set, which cost around 300 million yen by itself, was an 150 meter long life sized facsimile of the early Showa era district featuring several electric cable cars 〔Davis, Julie. "Flesh and Blood" ''Manga Mania'', vol. 23〕 and 3000 fully costumed extras.
The movie went on to become a notable success in Japan, becoming the third highest grossing Japanese produced movie of 1988.〔John A. Lent. ''The Asian Film Industry'', pg. 41, Christopher Helm Publishers Ltd, February 22, 1990〕 It helped propel the careers of some important figures in the contemporary Japanese film industry and aided in kicking off a new wave of similarly themed fantasy occult media (see "Legacy" below).
==Synopsis==
The live-action film is an adaptation of the first 1/3rd of the original novel or the first four volumes (out of a total of 12).
The movie begins in 1912 with Yasumasa Hirai explaining to Baron Eiichi Shibusawa Tokyo's long history as one of the most haunted cities in all of Japan. He specifically warns Shibusawa that the onryo Taira no Masakado must not be disturbed, as its spirit is powerful enough to destroy the city. In response to this heeding, Shibusawa allows the Tsuchimikado Family to advise him on how to make a Tokyo a blessed city. However, both Hirai's and Shibusawa's efforts are opposed by the oni Yasunori Kato, a former lieutenant in the Imperial Army, who wants to destroy Tokyo by awakening Masakado's spirit. To do this, he attempts to kidnap Yukari Tatsumiya, the descendant of Masakado, to use as a medium to communicate with the spirit. However, his plans are brought to attention to the Tsuchimikado Family by Koda Rohan. Hirai and his followers lock Yukari inside the Tsuchimikado temple and perform the monoimi ceremony to defend her. Kato and his followers launch a frontal assault against the temple with shikigami. Kato escapes with Yukari and uses her as a medium, but Masakado rejects his offer. Ogai Mori diagnoses Yukari as pregnant with Kato's child. Emperor Meiji passes away, marking the end of the Meiji Era. In a dramatic display of devotion to the Meiji Emperor, Hirai commits seppuku. However his act divines the year of Tokyo's destruction; 1923, the Year of the Pig.
The narrative moves to 1923, Tokyo. Kato retreats to Dalian, China and he and his followers use magic to cause artificial earthquake waves that are amplified to Japan. Kato returns to Tokyo to awaken Masakado's spirit by himself, but is interrupted by Koda Rohan and Junichi Narutaki, who use Kimon Tonkou magic against him. Kato fails to awaken Masakado, but manages to stimulate the Great Kanto Earthquake.
The setting moves to 1927. Torahiko Terada has been appointed by Noritsugu Hayakawa as manager of the construction of Japan's first Tokyo Metro Ginza Line. Hayakawa's construction workers run into Kato's shikigami provoking Terada to seek out the aid of Dr. Makoto Nishimura to use his creation Gakutensoku to finish construction for them. Masakado summons Keiko Mekata, a miko, to defend his grave from Kato. Keiko joins forces with feng shui master Shigemaru Kuroda, who discovers the location of Kato's hideout. While Kuroda fights an Asura statue guarding the place, Keiko rushes to stop Kato, but Kato summons his gohō dōji to fend her off. Kato attempts to awaken Masakado through Yukari's child, Yukiko, but even this is unsuccessful. Keiko explains to Kato that Yukiko is not his child, but rather the result of an incestuous union between Yukari and her brother Yoichiro making her uncontrollable by Kato. Gakutensoku self-destructs, cutting off the spiritual energy veins connected to Kato's temple. Kato tries to use onmyodo magic one last time to stimulate an earthquake, but this is insufficient and he is severely wounded from the effort. Though his plans are foiled, Kato kidnaps Keiko and takes her with him to Manchuria. The film ends amidst another annual district wide festival celebrating the birth of the capital. The Tatsumiya Family hopes for Keiko's return while Kyoka Izumi predicts Kato's return.

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